I am a fair weather painter. I admire those who bundle up in the winter and brave the cold and snow, but for me, the sun and wind and bugs are challenge enough.
I learned to paint “in the open air” while living in California. When I moved back to Michigan I was honestly surprised to find artists painting en plein air.Ha! So we go out together (safer) after being cooped up in our studios all winter to be enthralled, overwhelmed, and challenged by nature.
The first week I came home and immediately wiped off all the paint. The second week was not too bad—won’t win any prizes; probably won’t sell; but is worth studying to see what I learned for next time.
Third week went better. We were serenaded by birds and frogs; there was a creek and a nice breeze. I was happier with the result. Loose, painterly, almost abstract. Available at http://www.dailypaintworks.com/buy/auction/557386
This week the group opted to paint in the local town. Just when I was getting back into the landscape (after my flower series) we have buildings! Another learning experience; not a keeper. And so it goes…
Thursday was no exception. I go out painting “en plein air” or painting out doors with a group or artists on Thursdays. There are 2 dozen artists on the list and one beautiful artist coordinates a place and communicates to us via email. Those who intend to paint respond so no one ends up showing up alone.
Last week 5 were supposed to paint; only one other artist showed besides myself. But we had a guest.
A well-known and local artist, Tim Widener, was bicycling through the park and spotted Theresa, my fellow artist, and stopped. He had been painting nearby the day before, would like to come out and finish his painting, and asked if we would like to join him. He’d be glad to give us some instruction as well. Uh, yeah! He is also a well-known instructor.
His spot was on a lookout right on the river where you can see the boat dock. Seeing another artist’s color choices, brush choices and process is always interesting. Watching him work on Theresa’s pastel was cool too. I had blocked in my sky, trees and water and was going to put in the boats later. He said I needed that white line in there almost immediately to be able to relate to it. Seems I remember hearing something like that from an instructor long, long ago, and it seems I had forgotten that.
Thanks Tim. It was a joy painting with you.
“Dock of the River” 6x6x” acrylic on gessobord panel, unframed, available for $50 via http://www.dailypaintworks.com/fineart/andrea-jeris/dock-of-the-river/399857