“Untitled”

Creating a piece of art is not enough if you put it out into the world. A titled is required. Some artists think the art should speak for itself and “Untitled” is sufficient. Most viewers would like more. They would like to gain a little insight from the title. What was the artist thinking when they created this piece?

More likely, what was the artist thinking when they created this title?

Obvious titles such as “Apples in a Bowl” at least allow a way to inventory the work. I am guilty all too often of taking this easy way out. Other options are to pick a small, bright spot in the work, or the focal point.

Some artists look to poetry, songs, quotes, religion, books, or humor to find their titles. If you paint a lake you might avoid the name of the lake or you may turn off potential buyers because it’s not their lake.

Every once in awhile when I come up with my concept for the piece, I come up with the title at the same time. That’s the best. I feel like I’m on a first name basis with my art before I’ve even painted it. How can that not turn out good?

After much soul searching and staring at my new painting I came up with “Ethereal Glow” for the title. I didn’t want to be obvious—”Fish in Pond”, Koi and Goldfish”, or “Sunlit something”. They certainly did glow in the sun, and looked somewhat heavenly as they swam in and out of the green and blue depths. What do you think?

etheral-glow
“Ethereal Glow” 6×8″ oil on panel

Available at http://www.dailypaintworks.com/buy/auction/643073

Nature is Overwhelming

One of the biggest challenges for plein air painters (painting outdoors) is the vastness of what we are looking at. Trying to get the huge outdoors and fit it on our teeny, tiny, little canvas can stop an artist in our tracks so to speak.

All the advice, tips, and rules I hear from experienced painters seem to leave me when I am out there enjoying the wonders of nature. “Paint what you love.” “Look for the big shapes.” “See the darks and lights.”

Ever since I saw my first Monet painting I wanted to paint water lilies. We were at a beautiful garden with a pond with the most perfect water lilies you can imagine. I was so excited.

By the end of my painting session I was so disappointed. I had wanted to paint water lilies. Here is a sketch of what I did. I went home and scraped it off.

waterlily sketch

Luckily I took lots of photos and when I enlarged the photo and painted in my studio, I actually painted water lilies.

Now I am happy.

painting of water lilies

“Water Lilies”, 6×8″ oil on panel available at:

http://www.dailypaintworks.com/buy/auction/597815

Go Figure

When I lived in California I was lucky enough to take a week-long portrait and figure painting, watercolor workshop from world famous artist Mary Whyte. One afternoon we ventured out of the studio to the beach (we were right on the coast in Crescent City) to take some photos of the model. Let’s face it, you don’t normally come across young women dressed like this strolling the beach.

It was a foggy day and the light was strange. The ocean and the sky was a strange, muted yellow green. I painted it once true to the photo, but after the online course I took this past winter, photos are just a reference and I have broken free from trying to reproduce them—a very big breakthrough for me.

Some people don’t like people in their art; others love the human, lively element people add to a painting. Which do you prefer?

Shell Searcher

“Shell Searcher”, 8×6″ oil on panel, SOLD

Sandy Walk

“Sandy Walk”, 8×6″ oil on panel, SOLD

Thanks for looking. 🙂

 

A Day at the Beach Was Not a Day at the Beach

When my friend invited a group of us to go to the sand dunes, I was thinking hiking the dune and some nature trails by Lake Michigan.

As she parked the car I saw one large dune and a public beach. She unloaded a blanket, towel and beach chair and headed for the beach. I was not prepared. I was not dressed for the beach. I did not bring a blanket, towel or chair. Luckily I had a hat, sunscreen, sketchbook and camera.

It was near the end of summer and I then had shoulder surgery, then it was fall and then the holidays, yada yada yada. I have been wanting to paint this beach scene (and others) since last year.

Finally! This little girl gets to go swimming!

Want to Swim

I definitely would frame in a floater frame or edge-to-edge frame so nothing gets covered up.

Want to Swim, 8×10″ oil on panel.

Available at http://www.dailypaintworks.com/buy/auction/570980

New Year—New Colors

 

Gazing
Gazing, 6×8″ acrylic

Pantone Inc. is best known for its Pantone Matching System (PMS), a proprietary color space used in a variety of industries, primarily printing, though sometimes in the manufacture of colored paint, fabric, and plastics. Annually, Pantone declares a particular color “Color of the Year”. Fashion designers, florists, and many other consumer-oriented companies look to Pantone to help guide their designs and planning for future products. Pantone has said that color “has always been an integral part of how a culture expresses the attitudes and emotions of the times.”

Pantone has chosen two colors for 2016, Serenity, muted pale blue, and Rose Quartz, a pale pink. A challenge was put forth on Daily Paintworks to create a piece or art using those colors. This is my answer to the challenge.

http://www.dailypaintworks.com/fineart/andrea-jeris/gazing/438373

The Tidily Bits—You Know—the Whole Earth

8x10 acrylic painting of sunset on the river
“Sunset on the River”

I love skies. I find them easy to paint for the most part. And I love water. I enjoy painting water as well and usually I’m happy with the way it turns out. It’s all the “tidily bits” (as Dr. Who would say) in between I have trouble with… you know…the rest of the earth. Trees in particular give me grief. I’ve been in regions where there is a lack of trees, desert areas, new subdivisions, and I definitely prefer trees.

Without leaves they are very spikey and linear as opposed to the rest of my painting, which is more massive shapes. With leaves they can be frilly if I look too closely. They can be very GREEN for much of the year. I like the palm trees of the warmer states, with their huge fronds, tall thin trunks, and separateness.

So I here I put them in and take them out and try again and scape them out and just keep painting. Finally I am happy. “Sunset on the River” 8×10″ acrylic on gessobord panel, unframed, available for  $100 via http://www.dailypaintworks.com/fineart/andrea-jeris/sunset-on-the-river/397447