Everyone loves the water, to be near it if not on it.
What is it? Is it the sound? The waves or the movement? The way the light dances on the surface? The mystery of what lies beneath?
I love the reflections, and the light and distorted images of whatever is near. And there is always life around water—flying over it, jumping in it or out of it. And always a breeze. And I love to paint it.
Creating a piece of art is not enough if you put it out into the world. A titled is required. Some artists think the art should speak for itself and “Untitled” is sufficient. Most viewers would like more. They would like to gain a little insight from the title. What was the artist thinking when they created this piece?
More likely, what was the artist thinking when they created this title?
Obvious titles such as “Apples in a Bowl” at least allow a way to inventory the work. I am guilty all too often of taking this easy way out. Other options are to pick a small, bright spot in the work, or the focal point.
Some artists look to poetry, songs, quotes, religion, books, or humor to find their titles. If you paint a lake you might avoid the name of the lake or you may turn off potential buyers because it’s not their lake.
Every once in awhile when I come up with my concept for the piece, I come up with the title at the same time. That’s the best. I feel like I’m on a first name basis with my art before I’ve even painted it. How can that not turn out good?
After much soul searching and staring at my new painting I came up with “Ethereal Glow” for the title. I didn’t want to be obvious—”Fish in Pond”, Koi and Goldfish”, or “Sunlit something”. They certainly did glow in the sun, and looked somewhat heavenly as they swam in and out of the green and blue depths. What do you think?
When I lived in California I was lucky enough to take a week-long portrait and figure painting, watercolor workshop from world famous artist Mary Whyte. One afternoon we ventured out of the studio to the beach (we were right on the coast in Crescent City) to take some photos of the model. Let’s face it, you don’t normally come across young women dressed like this strolling the beach.
It was a foggy day and the light was strange. The ocean and the sky was a strange, muted yellow green. I painted it once true to the photo, but after the online course I took this past winter, photos are just a reference and I have broken free from trying to reproduce them—a very big breakthrough for me.
Some people don’t like people in their art; others love the human, lively element people add to a painting. Which do you prefer?
When my friend invited a group of us to go to the sand dunes, I was thinking hiking the dune and some nature trails by Lake Michigan.
As she parked the car I saw one large dune and a public beach. She unloaded a blanket, towel and beach chair and headed for the beach. I was not prepared. I was not dressed for the beach. I did not bring a blanket, towel or chair. Luckily I had a hat, sunscreen, sketchbook and camera.
It was near the end of summer and I then had shoulder surgery, then it was fall and then the holidays, yada yada yada. I have been wanting to paint this beach scene (and others) since last year.
Finally! This little girl gets to go swimming!
I definitely would frame in a floater frame or edge-to-edge frame so nothing gets covered up.